+ Set List 1 In the Flesh? 2 The Thin Ice 3 Another Brick in the Wall (Part I) 4 The Happiest Days of Our Lives 5 Another Brick in the Wall (Part 2) 6 The Ballad of Jean Charles de Menezes 7 8 Mother Goodbye Blue Sky 9 Empty Spaces 10 What Shall We Do Now? 11 Young Lust 12 One of My Turns 13 Do not Leave Me Now 14 Another Brick in the Wall (Part 3) 15 The Last Few Bricks 16 Goodbye Cruel World (pause) 17 Hey You 18 Is There Anybody Out There? 19 Nobody Home 20 Vera 21 Bring the Boys Back Home 22 Comfortably Numb 23 The Show Must Go On 24 In the Flesh 25 Run Like Hell 26 Waiting the chef for the Worms 27 Stop 28 The Trial 29 Outside the Wall
Roger Waters
Reviewed by Henrik Tuxen Photo: Photographer Morten Rygaard --- www.mortenrygaard.com GAFFA 4 stars Readers 5.90 stars on average (after 40 votes) Report yourself by logging in, you can mouse over the stars above. Sensational Show - overrated music
Rogers Waters' performance of "The Wall" in the park, the other within two years, moved by the boundaries of what is audio / visual as possible the chef in the stadium format anno 2013. Quite impressive for the construction of a work at 34 years old. Can you imagine that the artistic performance under comparable framework that raises the chef the global lintel in 2047, is created in 2013, hardly. In itself quite an accomplishment. And then Roger Waters conclusively disproved the myth that there can not be made good sound in the park, it may be, if only the plant and the serving staff, and musicians, supplying the chef the product is good enough. Historically blockbuster "The Wall" is complete idea of the inside burned rock star Pink, who suffers from childhood failure and trauma, and feel increasingly alienated and feeling cold and basically raped by a totalitarian surveillance society / dictatorship - with explicit references to Orwell's "1984" - in a selfish world of war and violence, ruled by evil generals and capitalists, where the protagonist gradually builds its own wall up as a defense, and at the very end decompose. A work that has gone from strength to strength over the globe ever since, and lists - not all equally transparent - of the best-selling album of all time ranks it somewhere from top 3 to top 30 Add to this the now numerous live performances, and Speaking commercial blockbuster that shown can hardly be beaten. High praise the chef for Waters the chef of spite soon 70 years old sustained way to blow every conceivable artistic and technological framework - and given ally with the best experts in the world in all fields - to create maximum total experience. It was the 40,000 spectators witnessed in the park, with well-functioning surround sound contrived, physical plane and giant scary characters and so many different pictures, the chef animations and projections on the "wall" that would drive themselves crazy trying to figure out how it technically be possible, but it could. Brilliant, nothing less. By the way, which one Pink Monkeys dabei that a course is often a but. The problem for me is that I simply do not believe in man, there is something that rings hollow. Bob Geldof was impressively strong as the apathetic Pink in the film version of "The Wall" in 1982 when he convincingly embody (youthful) alienation, violence and ennui. Waters told at the scene that he "narcissistic" (yes please) would try to sing a duet with "poor, miserable, fucked the chef up, little Roger" on "Mother" from the original, now 33 years old construction.
Unlike Geldof the chef convincing display of lostness and self-hatred in the film is Waters if possible, the opposite of the character Pink, he originally created. His well-documented past controversies and lawsuits against the old regimes in Pink Floyd and his general behavior, incidentally, is the epitome the chef of a man who sees himself as something st
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